Westavia, 2024
H 100 x W 80 x 4 cm
Acrylic polymer on synthetic polyester canvas; finished in satin varnish; strip framed in dark wood by artist.

For the URBAN FRACTIONS group exhibition. Represented by KIRK Gallery. Aalborg, Denmark. Viewing Room

Violetter, 2023
H 160 x L 150 x 4 cm
Acrylic polymers on primed cotton duck canvas; finished in satin varnish; strip framed in dark wood.

From the Undercurrents solo exhibition. Represented by Galerie Chenus Longhi. Viewing Room

Most illustrious, 2023
H 120 x L 160 x 4 cm
Acrylic polymers on primed cotton duck canvas; finished in satin varnish; strip framed in dark wood.

From the Undercurrents solo exhibition. Represented by Galerie Chenus Longhi. Viewing Room

Grand gesture, 2023
H 100 x L 200 x 4 cm
Acrylic polymers on primed cotton duck canvas; finished in satin varnish; strip framed in dark wood.

From the Undercurrents solo exhibition. Represented by Galerie Chenus Longhi. Viewing Room

Sigh of Bliss, 2023
H 120 x L 160 x 100 cm
Acrylic polymers on primed cotton duck canvas; finished in satin varnish.

From the Undercurrents solo exhibition. Represented by Galerie Chenus Longhi. Viewing Room

Internal reflection, 2022
24 x 24 x 1.5 inches
Acrylic polymer on synthetic polyester canvas; finished in satin varnish; strip framed by artist.
Represented by OpenGallery, Long Beach, CA. Viewing Room
Blush decline, 2022
31.5 x 48 x 1 ¾ inches
Acrylic polymers on primed cotton duck canvas; finished in satin varnish; strip framed in dark wood by artist.
Represented by Harman Projects, NYC. Viewing Room

Shadowfacts, 2022
100 x 100 x 4 cm
Acrylic polymer on synthetic polyester canvas; finished in satin varnish.

From the PRISMA collection. Represented by KIRK Gallery. Aalborg, Denmark. Viewing Room

Triangle-you, 2022
100 x 80 x 4.5 cm
Acrylic polymer on synthetic polyester canvas; finished in satin varnish; strip framed in dark wood by artist.
From the PRISMA collection. Represented by KIRK Gallery. Aalborg, Denmark. Viewing Room
Upon further reflection, 2022
48 x 48 x 1 ¾ inches
Acrylic polymers on primed cotton duck canvas; finished in satin varnish; strip framed in dark wood by artist.
For the museum exhibition 'Next Wave: New Contemporaries of the Abstract Movement' at the Fort Wayne Museum of Art, Indiana, USA June 18 - August 28, 2022
Nauticali, 2020
39.5 x 32 x 1.5 in / 100 x 80 x 4.5 cm
Acrylic polymer on synthetic polyester canvas; finished in satin varnish; strip framed in dark wood by artist.
From the Mirus Gallery, Los Angeles inagural group show.
Disfigure of speech, 2019-2021
48 x 51 x 2 inches
Acrylic polymer on duck canvas; finished in satin varnish; strip framed by artist.
From the Hashimoto Contemporary, Los Angeles inagural group show. Viewing Room
Cadilastic, 2021
80 x 80 x 4.5cm
Acrylic polymer on synthetic polyester; finished in satin varnish; strip framed by artist.
2021 edition of the Urban Art Fair. Represented by Galerie Openspace, Paris.
Weight, 2021
31 x 51 x 1.5 in
Acrylic polymer on canvas; finished in satin varnish; strip framed by artist.
From STATE OF MIND, a solo exhibition with Hashimoto Contemporary, NYC. Viewing Room
Enlighten-moment, 2021
39.5 x 32 x 1.5 in / 100 x 80 x 4.5 cm
Acrylic polymer on synthetic polyester canvas; finished in satin varnish; strip framed by artist.
From STATE OF MIND, a solo exhibition with Hashimoto Contemporary, NYC. Viewing Room
Kolapsis, 2020
20 x 16 x 2 inches
Acrylic polymer on treated wood panel; finished in satin varnish; stripframed in pine and vintage yardsticks by artist.
From STATE OF MIND, a solo exhibition with Hashimoto Contemporary, NYC. Viewing Room
Diamond life, 2021
32 x 32 x 1.5 in / 80 x 80 x 4.5cm
Acrylic polymer on synthetic polyester canvas; finished in satin varnish; strip framed by artist.
From STATE OF MIND, a solo exhibition with Hashimoto Contemporary, NYC. Viewing Room
Cool breeze, 2020
80 x 80 x 4.5cm
Acrylic polymer on synthetic polyester canvas; finished in satin varnish, strip framed in dark pine by artist.
From the ‘DETOUR ART HERNING’. group exhibition. KIRK Gallery. Aalborg, Denmark. Viewing Room
Unfolding season, 2018
60 in. diameter x 4 inches deep
Acrylic polymer on canvas; finished in satin varnish; unframed.
From the 'Composure: A Street Art Narrative; Curated by Todd Mazer'. Pellas Gallery, Boston.
Three tiers, 2020
100 x 80 x 4.5cm
Acrylic polymer on synthetic polyester canvas; finished in satin varnish; strip framed by artist.
From the 'FAIR PLAY' group exhibition. Galerie Openspace, Paris.

When the dust has settled, 2020
80 x 80 x 4.5cm
Acrylic polymer on synthetic polyester canvas; finished in satin varnish; strip framed by artist.
From the group exhibition, ‘INSIDE OUT’. Kirk Gallery, Denmark, May-June 2020.
Brand new heavy, 2020
80 x 80 x 4.5cm
Acrylic polymer on synthetic polyester canvas; finished in satin varnish; strip framed by artist.
From the group exhibition, ‘INSIDE OUT’. Kirk Gallery, Denmark, May-June 2020.

Split decision, 2019
31.5 x 31.5 x 1 3/4 inches
Acrylic polymer on cotton canvas; finished in satin varnish; strip framed by artist.
From the 'IN FORMATION' group exhibition. Hashimoto Contemporary NYC. Press release

Ro-dium, 2019
30 x 30 x 1.5 inches
Acrylic polymer on cotton canvas; finished in satin varnish; strip framed by artist.
From the 'IN FORMATION' group exhibition. Hashimoto Contemporary NYC. Press release
Hard light suite, 2019
100 x 80 x 4.5 cm
Acrylic polymer on canvas; finished in satin varnish; strip framed by artist.
From the 'Adventures In Tonality' collection. Galerie Openspace, Paris. Exhibition view
Gravitate tone, 2019
80 x 60 x 4.5 cm
Acrylic polymer on canvas; finished in satin varnish; strip framed by artist.
From the 'Adventures In Tonality' collection. Galerie Openspace, Paris. Exhibition view
Luminate/Gravitate, 2019
80 x 60 x 4.5 cm
Acrylic polymer on canvas; finished in satin varnish; strip framed by artist.
From the 'Adventures In Tonality' collection. Galerie Openspace, Paris. Exhibition view
Global flowtation 2019
80 x 80 x 4.5 cm
Acrylic polymer on synthetic polyester; finished in satin varnish; strip framed by artist.
From the 'Adventures In Tonality' collection. Galerie Openspace, Paris. Exhibition view
Invariable tone, 2019
80 x 80 x 4.5 cm
Acrylic polymer on synthetic polyester; finished in satin varnish; strip framed by artist.
From the 'Adventures In Tonality' collection. Galerie Openspace, Paris. Exhibition view
Dawndee, 2019
Acrylic polymer on canvas. Finished in satin varnish. Strip framed by artist
127 x 99cm | 50 x 39 inches
Kirk Gallery. ‘UP THE WALL’ Group Show. Aalborg, Denmark.
Maritime overlook, 2019
75 x 90 X3 cm
Acrylic polymer on synthetic linnen. Finished in satin varnish.
Twr y Felin Hotel private collection. St, Davids Pembrokeshire, Wales. 
Sheer shire, 2018
200 x 140 x 3 cm
Acrylic polymer on canvas. Finished in satin varnish.
Twr y Felin Hotel private collection. St, Davids Pembrokeshire, Wales. 
Dawns early light, 2018-19
130 x 130 x 4.5 cm
Acrylic polymer on canvas. Finished in satin varnish.
Darkest Before the Dawn collection. Stolen Space Gallery, London. Exhibition view
Commit to mechanism, 2018
Acrylic and spray paint on primed cotton duck canvas. Finished in satin varnish.
42 x 42 x 2 inches | 106.68 x 106.68 cm
MKNZM Collection, Swinton Gallery, Madrid, Spain
MANIFOLD, 2018
Acrylic and spray paint on primed cotton duck canvas; finished in satin varnish.
36 x 54 x 2 inches | 91.44 x 137.16 cm
MKNZM Collection, Swinton Gallery, Madrid, Spain

Recollection system maroon, 2017
Acrylic and spray paint on primed cotton duck canvas. Finished in satin varnish.
96 x 50 inches
BUILD FROM MEMORY collection, Galerie Openspace, Paris. Exhibition view
Aquatico afterthought, 2016-17
60 x 60 x 4 inches
Acrylic and spray paint on primed cotton duck canvas. Finished in satin varnish.
BUILD FROM MEMORY collection, Galerie Openspace, Paris. Exhibition view
Inventorium 2, 2015
Acrylic polymer on duck canvas; finished in satin varnish.
48 x 48 inches
INVENTORY collection, Jonathan LeVine gallery, NYC Exhibition view



They knew I had wounds from platoons of the stars, 2015
39.5 x 39.5 x 2 inches
Acrylic polymer on canvas; finished in satin varnish.
Cosmic Flush / RAMMELLZEE / MY SCHOOLBAG, Gamma Proforma, London
The rotationship of central heating, 2015
65h x 50w x 2 in. [165.1 x 127 cm]
Acrylic polymer on canvas; finished in satin varnish.
OFF/GRID Collection, David Bloch Gallery, Morocco, Marrakech Exhibition view
Different plane of existence No. 02, 2015
48 w x 65 h x 2 inches
Acrylic polymer & spray paint on primed duck canvas. Finished in satin gel medium.
Graffuturism 5 Year Anniversary Exhibition, 886 Geary Gallery, San Francisco
Rotationship of the take shape factor, 2014
60 h x 84 w x 2 in. | 152.4 x 213.36 cm
Acrylic polymer & spray paint on primed duck canvas. Finished in satin gel medium.
Taking Shape Collection, Galerie Openspace @ Bastille Design Center, Paris Exhibition view
Machine shop shape shift, 2014
60 h x 84 w x 2 in. | 152.4 x 213.36 cm
Acrylic polymer & spray paint on primed duck canvas. Finished in satin gel medium.
Taking Shape Collection, Galerie Openspace @ Bastille Design Center, Paris
Exhibition view
Circulación templo, 2014
165 x 170 cm
Acrylic polymer and spray paint on heavy canvas. Finished in semi gloss gel medium.
Yesterdays Advance Collection.
Celaya Brothers Gallery, Mexico D.F.
Exhibition view
Axiom Circulate No. 06, 2014
122.5 x 93 cm
Acrylic and spray paint on canvas. Finished in satin varnish. Painted in Milan, Italy.
Assioma, a 2-man exhibition with Moneyless. Avantgarden gallery, Milan, Italy.
Manifest Horizon No. 01, 2013
48 x 48 x 1.5 inches
Acrylic and spray paint on primed duck canvas Framed by artist in mahogany stained pine.
L'Avenir curated by Graffuturism , White Walls Gallery, San Francisco.
GoldCoast Incline, 2013
65 x 48 x 1 inches
Acrylic and spray paint on primed duck canvas. Finished in satin gel medium Framed by artist in mahogany stained pine.
Lignea L'abstraction group exhibition. Montreau
Hands on horizons, 2013
24 x 24 x 2 inches
Found paper, ball point pen, acrylic and spray paint on wood panel. Coated in archival matte varnish. Finished in satin gel medium.
Three the hard way exhibition. Breeze Block Gallery. Portland , Oregon.
Circulation of the navy peak, 2013
36 x 36 x 1.5 inches
Acrylic and spray paint on primed duck canvas. Finished in satin gel medium.
Out With The Old group exhibition. Library Street Collective, Detroit Michigan.
Formulations take shape No. 02, 2013
22 × 30 inches (559 mm × 762 mm)
Acrylic on 300 lb Soft Press Fabriano Artistico watercolor paper. [Two natural deckles and two cut edges] Finished in satin varnish.
Private Collection. Boston, Mass.
Nature system unfold No. 01, 2013
Acrylic and spray paint on primed duck canvas Finished in satin gel medium Framed by artist in mahogany stained pine.
36 x 36 x 1 1/2 inches
Structurally Sound Collection. White Walls Gallery, San Francisco.
Structurally Sound No. 02, 2013
52 x 65 x 2 inches
Acrylic and spray paint on primed duck canvas. Finished in satin gel medium Framed by artist in mahogany stained pine.
Structurally Sound Collection. White Walls Gallery, San Francisco.
Circulatory System No. 40/ Mauvetastic, 2013
55 x 67 x 2 inches
Acrylic, spray paint and house paint on canvas. Finished in matte gel medium. 
California Soul Collection, Openspace Gallery, Paris
Incised Series No. 32 [Golden meaning], 2013
19 1/2 x 19 1/2 x 1 1/8 inches
Acrylic, screen print, spray paint and incising on cradled masonite panel. Finished in matte satin varnish.  Framed in found yardstick & mahogany lattice.
California Soul collection. Openspace Gallery, Paris, France
The Future, 2013
12 x 12 inches
Acrylic on found record cover. Finished in satin varnish. 
California Soul collection. Openspace Gallery, Paris, France
Circulatory System No. 41/ SoCal, 2013
42 x 60 x 2 inches
Acrylic, spray paint and house paint on canvas. Finished in matte gel medium.
California Soul Collection, Openspace Gallery, Paris
Circulatory System No. 42/ North West triangulates, 2013
42 x 60 x 2 inches
Acrylic, spray paint and house paint on canvas. Finished in matte gel medium. 
California Soul Collection, Openspace Gallery, Paris
The circulation of a process of elimination, 2012
47 x 65 x 2 inches
Acrylic, enamel, ehite-out & enamel spray-paint on canvas. Finished in matte satin gel medium. Framed in mahogany lattice
Graffuturism Exhibition. Soze Gallery, Los Angeles.
Transitions of a vintage system, 2012
48 x 96 inches
Acrylic, enamel spray paint, bitumen,white-out, screen print and incising on wood panel. Finished in matte satin varnish.  Framed in mahogany lattice
Working An Angle collection. Known Gallery, Los Angeles, CA.
Circulatory System No. 24, 2012
60 x 60 x 2 inches
Acrylic, spray paint & bitumen on canvas. Finished in matte satin varnish. 
Working An Angle collection. Known Gallery, Los Angeles, CA.
Circulatory System No. 23, 2012
60 x 60 x 2 inches
Acrylic, spray paint & bitumen on canvas. Finished in matte satin varnish. 
Working An Angle collection. Known Gallery, Los Angeles, CA.
Private collection. Duesseldorf, Germany
Circulatory System No.10, Emotion capture, 2011
60 x 60 x 2 inches
Acrylic, spray paint & bitumen on canvas. Finished in matte varnish. 
Circulatory System collection. White Walls Gallery, San Francisco, Ca.
Circulatory System No.12, Emotional ResQ, 2011
67 x 84 x 2 inches
Acrylic, spray paint & bitumen on canvas. Finished in matte varnish. 
Circulatory System collection. White Walls Gallery, San Francisco, Ca.
Contribution No. 19, Heart of the city, 2009
50 x 49.5 x 1.5 inches
Acrylic & spray paint on primed cotton duck canvas. Finished in matte satin medium. 
Never a Dull Moment group exhibition. White Walls gallery, San Francisco, CA.
Detail of a Klean Kutt in Turquoise, 2010
48 x 48 x 1.5 inches
Acrylic and spray paint on primed duck canvas. Finished in matte varnish.
Retrofitted And other forms of Vintage Futurism. White Walls gallery, San Francisco, CA.
Contribution No. 17, Study in soft stone, 2009
40 x 50 x 1.5 inches
Acrylic on primed cotton duck canvas. Finished in matte satin medium.
Contribution Series, Private collection.
The triangulation's of the letter K, 2009
54.5 x 54.5 x 1.5 inches
Spray paint and acrylic on primed duck canvas. Finished in matte gel medium.
Vintage Futurism collection. Zero 1 Gallery, Los Angeles, CA
The triangulation's of damp organics, 2009
54.5 x 54.5 x 1.5 inches
Spray paint and acrylic on primed duck canvas. Finished in matte gel medium.
Vintage Futurism collection. Zero 1 Gallery, Los Angeles, CA
Contribution No. 10, 2006
40 x 40 x 2 inches
Acrylic Ink on 2 found wood panel/ Diptych. Finished in aged Lacquer.
Private collection, New York City, NY.
Beyond access, 2004
84 x 86 x 2 inches
Acrylic polymer and spray paint synthetic canvas. Finished in semi gloss gel medium.
One half of the painting from the Beyond Graffiti collection.


All works © of A.Kofie | 1993-2024

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